Romantic smear 

   
The proposed material, which is a continuation of creative thinking on the development of art, its romantic focus of the day today, printed in the second issue of «our Isograph», I would like to share some more specific considerations relating to the paintings, the painting. 

Paintings, appears before us as to say, a window into the world of the artist, his imagination, meaning, first of all meaning. Then, so-component decorative painting, which happens, in my opinion, the most important thing! Regardless of intent and will of the artist, where, in the presence of «mechanism» inspiration of his presence, his hands are doing all that is needed, he created a full-fledged artistic image. We will be interested in it. 

If you put aside rhetoric about the plot, its ideological and social purposes, that is, talking about foreign «beauty», we appear a certain thing on the plane in the colors. Appear as a set of techniques, worked out paint brushes; nature of the work, creative ideas and writing is expressed through them. 

Smears can not be seen, both in realism and hyperrealism, visible in most styles, are visible, like the Impressionists, defiantly seen as a post. Now, in the absence of high-style, each artist is addressing these issues independently, according to Mr ideas work. But more than ever they did not have such significance, as proposed in the romantic works of today. 

Smears performed and carry out a certain «elementary particles», of which lepitsya entire fabric piece. Romantic smear this is a quality. Each movement of the brush and filled with profound spiritual meaning. Strokes, at the same time, visible and not visible, because the whole essence drawn appears as a single entity, which can not be divided on the subject: a plot and technique, the color difference between the loading on the idea and execution, where the strokes, visible and tangible, missing in the product, deciding all questions. 

All the above forms the creative design of the painting. The design can stand on a plot where the main author's vision. To walk with him in the leg, «on the subject and receiving» (PP Chistyakov). To counter him, breaking the old dogma. But it is always the aesthetics, the author vision depicted the emotional state of the artist, if you want, talk to God. 

In the romantic plot is not diverted and is particularly important today, he was in the form of subject combinations in order to identify, precisely, meaningful picture of the merits. 

Erection of beautiful palaces, where the brush stroke mystical stones, colored marbles of nature, filled with life and meaning, the purpose of creative pursuit. 

All united in a single impulse, the entire image is identical in the manner of execution. There is a general unity of earth and sky, all that exists. Painting begins to compete with the poetry and music. 

Piece decided smear, which can be a rock and a tree, a cloud and a man растворяясь the product, but at the same time, while remaining himself. 

  «Son of reason creates monsters», a dream land, expressed through the artist, his imagination, creates miracles. All the attention, the means of expression and expressiveness focused on one goal, the building of cities, planets, the Sun, where dream and reality become unity. 

This utopia, well that same, albeit utopian, but art can not, without the ideal expressed in the form of a utopian, it is important for what it is utopia, what it serves and that is aimed, though perhaps this is not essential, would be a dream. For example, the social utopia of social order and provides an orientation. Personal Utopia offers a creative impulse. It can move in a social utopia that was good one, it becomes necessary to others, most, but unfortunately, the author started eroding, particularly noticeable now. In this tragedy of art, but, strangely enough, and its viability. 

Rise of a new tale. «New Song has invented life». There are cyclical process from one to all and from all to one. «O people, you are wrong». 

Of course, this happens in the struggle and not without loss, but we, the people in another way has not yet been able to do. 

Russian art in general has a romantic direction, a reflection of the Russian mentality, mentality and messianic character of our people. Living in a dream and this is both good and bad, but why people are always in the beginning, at the threshold of new discoveries. 

In our history, something similar has already been, especially otnostisya to the ancient Russian painting. It was where the romantic smear worked in full force, creating an image of an ideal, a utopian human, spiritual leader. The tale so with such force worked in reality, largely translated into real life. 

The quest for an ideal society, it was with tremendous force and credibility. Religion, Utopia was the social issue on which the Bogomazov, painters in terms of their intimate views of personal utopias. 

The focus was on the man, he was humiliated, he had to save. You are the ideal images. Worked self people. 

Now you need to save everything, the nature of the human rights of the perturbed nature of man himself and his civilization, etc., etc. 

That's new - the eternal theme of salvation, expressed through the new - old romanticism. The desire to live a strong desire to die, I think. 

That is why the search of an ideal should not be stopped. For the full life need to offer something new, even if it does not want to lose the one hand and wish him, on the other hand, in spite of the civilized zatravlennost. «Do not leave the dedication, he did not remove his hands from his forehead» (B. Okudzhava). 

As we have for this? Fear of human limbs, the horror of despair, disbelief or what, spiritual crisis, disregard to himself and to nature, etc., etc. Fear! 

Continuing to drill idea how many prerequisites for recovery. After the crisis has always rise, this dialectic. A massive cultural revolution madness necessarily experiencing. It raises the level of being heat resistance, it is necessary to conform to it or to do something else. 

Ways of art and public life does not always coincide, and do not match all the more. Technical civilization is man of masses and the few works, executioner and victim, that they have in common? Maybe only one person here and there people, so the hope of understanding and mutual cooperation on an equal footing remains. Two opposite poles of power give rise to life. 

Energy levels of the work gives an indication of the possibilities of the artist, the power of his talent, the creative direction of the search, acquisition findings. 

In contrast to the usual paintings, based on splitting the colors, the most rapid movement of warm and cold tones, romantic painting a bit different. Smear, although bear in full color load, it is more local, because it is a basic element of design work, which is approaching the sculpture and architecture. Crush it does not allow the idea of a painting. Oh rather, it is similar to the murals than usual easel painting, though there a big difference. Fresco is the unity of the planes, romantic paintings of unity, essentially, local strokes, where each stroke has a «information» about the whole picture, author's method and style of the piece. 

Painting a romantic direction today, in my opinion, this painting is for himself and herself in itself embodied the dream of an ideal. She do not care about short-term and immediate. «Stop, moment, you are well», it is not for her, rather. «The perfect should be proud», it is closer. What - 

then send, tell, broadcast «picturesque verb», why, that can give beauty except peace, is that the desire of a new beauty, as always unhappy people (the audience), and it was good. 

Decorative painting such as beautiful. It manifests itself in different structured smears, in a form that is underlined in color or in color, pointed shape, depending on the work. The truth, as always, in the middle, so interesting. Technical methods are not hidden, but rather, identified thanks to a bold style letters. Born form a new earth and new heavens so convincing, that is found naturally in the decorative fabric pieces растворяясь it, but not lost, while giving new meaning to all the work. 

The main idea of the style - it is creative, constructive rethinking of the world for his confirmation, based on the author's vision of the artist. 

I thought that the fight for net art, creative man, the purity of style and technique - a struggle for most people, its unique character and individuality. 

Painting is not only one of the areas of culture, but the image of thought and state of mind. Always there is «something», standing on a method that subtle «something», and makes a work of art belonging to a particular style, where the talent is always the most important artist and author - most important. It is very important than work, there is no difference between the canvas and the screen, if there is «something». Various artists, going in one direction, the direction from person to person, it is normal and natural. 

Thanks to the vision and picturesque, romantic approach, the product receives the comprehensive characteristics of different areas of culture. Painting gets extra energy sculpture and architecture, even music, once again affirming the commonality of different areas of creativity, as part of a whole. 


A. Kyrgyz 

  Newspaper «Our Isograph» № 4 (144)